I've never been a fan of Great Big Sea, the voice of Alan Doyle isn't particularly alluring, it reminds me of Counting Crows's Adam Duritz, and the prancing nature of the music becomes obnoxious. But Newfoundland music is bred within the land; the dancing and singing is part of their heritage. The average listener can't find a place for too many Celtic, Maritime, or Newfoundland records, and that may be a shame, but for some reason Great Big Sea makes it onto people's shelves. After hearing Fortune's Favour, I can understand why.

Like Bare Naked Ladies there is an accessibility to Great Big Sea. They are talented individuals and they have a control which makes them admirable in the face of all the DIY music as of late. Their sound is full of body, and their catalogue ranges from stomping bar-room sing-along's (remember Great Big Sea's cover of R.E.M.'s "It's End Of The World As We Know It (And I Feel Fine)"?) to traditional folk material (like Fortune's "England"). This is what it all comes down to, how they sound and convey emotion, and Great Big Sea do it will considerable determination and seeming effortlessness.

Helming the band's production is Canadian indie notable Hawksley Workman, and with considerable results. Songs stretch from traditional Newfoundland roots into more rock territory, then are stripped down for a good old fashioned ballad. Audible on the record is a release from restraint and a push forward, which comes across well on the album.

I can't exactly recommend Great Big Sea, but who isn't curious? Fortune's Favour doesn't offend and doesn't bore. It almost converts me into a listener. If anything I look forward to more from these three fine musicians.