Table of Contents:
The struggle to save Superman’s house continues…
Savage Dragon a political sell-out
Vampire Hunter D coming to America
Marvel announces Spider-Man/Colbert team-up
Heroes Vs. The 4400
Throwback of the Week
Whack Controversy of the Week
Viral Campaign of the Week
Reviews
New Releases
In the News
The struggle to save Superman’s house continues…
The third in a series of auctions intended to raise funds to save the Cleveland home of Jerry Siegel closed yesterday adding a substantial amount to the previously collected funds. The third auction raised $17,763 bringing the total to more than $70,763 in donations to go to the repair the Glenville house where young Jerry Siegel and Joe Shuster created Superman. The original fundraising goal was $40,000. The Cleveland-based Siegel and Shuster Society and novelist/comic book writer Brad Meltzer came up with the idea for the fundraiser, which has sold diverse lots ranging from original comic art, a walk-on role on Heroes and tickets to The Colbert Report. All proceeds will go to pay for the replacement of the roof and to rebuild the exterior of Siegel's former home on Kimberly Avenue on Cleveland's East Side. Leftover money will be used for interior repairs and other work in the future.
| Savage Dragon a political sell-out The recent issue of Erik Larson’s Savage Dragon, in which the hero proudly endorses Democratic Senator Barack Obama for President, is going into its third printing in order to meet demand. Issue #137 has been billed as “The world's only super powered presidential endorsement,” and has made news at some very non-comic media outlets like the New York Times and the Huffington Post. "Believe me, we're trying to keep it in stock," said Erik Larsen in a press release. "We've been printing much more than we predicted needing and the demand just kept growing. I'm thrilled to know that whether people agree or disagree with Dragon, they're extremely passionate about what may be the most important US Presidential election yet." The latest reprint in scheduled to be in stores on October 15th. | ![]() |

![]() | Direct from a Marvel press release mailed out on Wednesday: “Marvel is proud to reveal that Spider-Man and acclaimed television personality Stephen Colbert will join forces in an all new eight-page story featured in the extra-sized Amazing Spider-Man #573! Acclaimed writer Mark Waid and fan favourite artist Patrick Olliffe present Stephen Colbert, a candidate for the US Presidency in the Marvel Universe, teaming up with Marvel’s most iconic crime fighter. What could bring these two together? And what will it mean for both their futures? This issue also features a special Colbert variant by Marvel EiC and industry superstar Joe Quesada! Plus, don’t miss the stunning conclusion to the sold out “New Ways To Die” from the dream team of Dan Slott & John Romita Jr! Don’t miss out on Stephen Colbert’s first full Marvel Universe appearance—in continuity!—and the team up that’ll have everyone buzzing! It’s the extra-sized Amazing Spider-Man #573—and no comic book fan can afford to miss it!” |
| So people kept telling me to watch this show called Heroes. I had already been aware of the show and it seemed right up my alley; a program about people with super-powers and how they deal with them. At the time I thought, “I’m really not going to invest myself in a show that will be cancelled after three episodes.” And then it became a success. And then many of my friends told me I should watch, but I wasn’t going to walk into a story halfway over. So I picked up Heroes at the start of season two, watched it for a few episodes and was underwhelmed. It sucked and I thought there was something wrong with me. But no, the fans started chiming in; the second season of Heroes did indeed suck. And then writers came out and pretty much agreed saying, “Yeah, this season was terrible. Too bad we can’t make more till September 2008. The unfortunate part is that Heroes, no matter the satisfaction of new fans, was already a success by the time I tuned in. So what I think, and thought, doesn’t, and didn’t matter. I already had a show that filled my quotient of storytelling involving ordinary people with super-powers: The 4400. The 4400, refers to the number of people taken over 60 years and returned all at one in a ball of light near Seattle, WA. No sooner do they return that these people, taken from across the globe, begin to develop super-abilities and unlike the powers of Heroes, we do get an explanation as to why: future humans abducted the 4400, gave them abilities and returned them all to the present to prevent some non-descript catastrophe. What is this catastrophe the 4400 are supposed to prevent? How do they do it? But more importantly, in the meantime, how do they fit into a world that fears what they’re capable of. And for many returnees, the ones taken in the 40s, 50s, 60s, and even the 70s and 80s, how do they find their way in a world that’s now alien to many of them? | ![]() |

![]() | Dark Horse is distributing a new statue from ReelArt Studios depicting Hal Foster’s classic, Arthurian hero, Prince Valiant. Beginning in 1937, Valiant first appeared as a full tabloid page in the nation’s newspapers, this meticulously crafted, ongoing adventure has continued to run weekly, winning worldwide acclaim for its detailed realism and heroic scope. Valiant, armed with the Singing Sword, joined Arthur, Merlin and other knights on a series of merry adventures. Foster is renowned as one of the most influential comic strip artists of the 20th century for his realistic detail. He passed away in 1982, but Dark Horse President Mike Richardson, who is also a major Hal Foster fan and collector, when he saw the prototype, said, “They picked a tough assignment and really nailed it. This is one of the best Prince Valiant items ever, and that is coming from a tough critic who owns almost everything that’s ever been done.” Depicting Prince Valiant in full gallop waving an unsheathed sword aside a lunging charger, the oversize statue measures nearly 12² in height, stretching 15² deep and 10 ¾” wide. The number of statues produced will be strictly limited to only five hundred hand-numbered and pre-painted units. Prince Valiant is scheduled for release this December. |
| The cover of Action Comics #869 shows Superman and his human father, Jonathan Kent, taking it easy on the farm, enjoying a frosty beverage. But what kind of frosty beverage? Could Pa Kent and his adult son actually be drinking a beer?! Not actually, look carefully and you’ll see that they’re drinking “soda pop,” but apparently there was quite an uproar that the Man of Steel might be drinking and flying. The original covers showing two adults drinking a beer were destroyed, or “pulped” as they say in the business, and the new, soda pop cover was released in its place. This was the same week of the swear-filled All-Star Batman and Robin the Boy Wonder. Clearly, DC cares not for family values, at least according to some. Viral Campaign of the Week “Quite simply, we are here for you. We are here to save your planet and your society from your own actions. We come not as an alien armada, invading your lands as conquerors.” So say the Skrulls as they explain themselves through the website called “Embrace Change.” It’s part of Marvel Comics promotion of the “Secret Invasion” crossover, explaining the motivation of the shape-shifting aliens, while aiming to calm the nerves about their intentions through pictures of humans and Skrulls living together in peace and harmony, and a video promoting the same. See it all fro yourself at http://www.embracechange.org/ | ![]() |
![]() | Deadpool #1 Daniel Way and Paco Medina Marvel Comics Remember when Howard the Duck had a crossover with Civil War? Well, I suppose it’s not so far fetched for Deadpool to get in on Secret Invasion, but still, the ultra-serious alien invasion storyline seems an odd fit for a storyline starring “The Merc with a Mouth.” While this series is not exactly rolling in the aisles laugh-wise, it does have a certain comedic charms as well as a twisted Deadpool ending. Way doesn’t quite write the character up to Joe Kelly levels of infectious absurdity, but he definitely gets off to a solid start. The art is a tad too cartoony at times, which I probably wouldn’t have minded if the tone were more comical, but this Deadpool is more like the films Crank and Shoot ‘Em Up; smirkingly violent but in a nearly bloodless way. Good thing all the victims were Skrulls… for this issue. |
![]() | Secret Invasion #6 (of 8) Brian Michael Bendis and Lenil Francis Yu Marvel Comics Initially, in reading the sixth part of the mega-crossover Secret Invasion, my reaction was, wow, they really crammed a lot in here and didn’t do much with it. Reading it through a second time, I was more appreciative of the balance in the issue. With so many story threads and so little time left, obviously an economy of storytelling must be employed. So we get a few great moments, like the meeting between the old Thor and the new Captain America, the fate of Skrull-Captain Marvel, and the set-up for the final battle. The issue caps off with two excellent action-heavy splash pages that will fill your fanboy heart with nostalgic pride as you see Cap, Thor and Iron Man lead the heroes into battle. |